Fort Scratchley
Premiering at the Sydney Science Fiction Film Festival, Fort Scratchley portrays the nightly routine of two WW2 search light operators before their night takes a chilling turn.
I did mixdowns, dialogue editing, foley, sound design, and a final master
It went on to also get shown in the Central Coast Film Festival
Sound Design, Post Production, Mastering
Hal Isherwood - Lucid Dreaming
Production, Recording, Mixing,
Tracked through a Neve Custom 75 then mixed in my own studio, Hal’s debut 5 track EP explores his journey through his year in Australia.
I helped Hal produce his EP creatively, and also completed all steps before mastering
It was mastered externally by Jack at Sonora Studios
Look At Me
Set in the 80s, Look At Me explores the night of a 16 year old girls as she navigates her dreams, or her realities. It hasn’t yet premiered and is set to release later this year.
I did the onset recording, and the full post production, sound design, and final master
On-set Recording, Sound Design, Post Production
Carl’s Date
Done as a SAE project, Carl’s Date involved taking a minute long clip from any chosen animation, completely stripping it of audio and rebuilding it from the ground up with my own foley, ADR, and sound design. I then completed a 5.1 mix on the Avid S6.
ADR Recording, Foley, Mix and Master, 5.1 Mixing
Friendly Competition
On-set Recording
A short skit done for the guys over at Few Extra Minutes. I was sole audio on the day, operating mostly just a boom and F8 setup
Take A Seat
Take a Seat was a 5 day shoot taking place across a couple of locations in Sydney. I can’t share much yet as its still in creation. It shared a lot of the same crew as Look At Me, and I couldn’t thank the studio enough for getting me back onboard
It featured multiple lavs, booms, spot mics, and F8s
Take a Seat is set to release at the end of this year
On-set Recording
This is just a few of the many projects i’ve been fortunate enough to work on.
this page is constantly updating, so please revisit