Fort Scratchley
Premiering at the Sydney Science Fiction Film Festival, Fort Scratchley portrays the nightly routine of two WW2 search light operators before their night takes a chilling turn.
I did mixdowns, dialogue editing, foley, sound design, and a final master
It went on to also get shown in the Central Coast Film Festival
Sound Design, Post Production, Mastering
The Necks
Live at the Newcastle Art Galley, I was fortunate enough to supply the system and help mix The Necks. Listed as one of the most influential Australian bands ever by Rolling Stones, The Necks played only 2 songs in their 2.5hr set.
Live Sound
Next To Normal
Produced by the Newcastle Theatre Company, Next to Normal was a full rock musical ran over 2 weeks. I supplied the system and operated the whole show, consisting of 8 headsets, guitar, bass, keys, and drums.
I also managed on stage fallback, backstage fallback, and 4 separate IEM mixes
I recorded 3 nights of the show, and am mixing + mastering the whole 2 hours for them to pair up to video
Live Sound, Recording, Mixing, Mastering
Hal Isherwood - Lucid Dreaming
Production, Recording, Mixing,
Tracked through a Neve Custom 75 then mixed in my own studio, Hal’s debut 5 track EP explores his journey through his year in Australia.
I helped Hal produce his EP creatively, and also completed all steps before mastering
It was mastered externally by Jack at Sonora Studios
Supporting the grand opening of the Newcastle Art Gallery, I supplied the system and mixed 6 acts on the night.
Included in this was Deborah Kelly’s award-winning CREATION Choir, Katy Perry’s Australian support act Kinder, and local band The Pitts.
18,500 people were in attendance.
CREATION Choir, Kinder
Live Sound
The Machine
The Machine was filmed in a hectic 4 hour shoot in Sydney. From that comes a 5 minute semi-satire film that teaches you a thing or two about vending machines.
or does it?
The Machine went on to get shortlisted for Tropfest. Is it not yet out.
Sound Design, Post Production, Mastering
Look At Me
Set in the 80s, Look At Me explores the night of a 16 year old girls as she navigates her dreams, or her realities. It hasn’t yet premiered and is set to release later this year.
I did the onset recording, and the full post production, sound design, and final master
On-set Recording, Sound Design, Post Production
Carl’s Date
Done as a SAE project, Carl’s Date involved taking a minute long clip from any chosen animation, completely stripping it of audio and rebuilding it from the ground up with my own foley, ADR, and sound design. I then completed a 5.1 mix on the Avid S6.
ADR Recording, Foley, Mix and Master, 5.1 Mixing
Friendly Competition
On-set Recording
A short skit done for the guys over at Few Extra Minutes. I was sole audio on the day, operating mostly just a boom and F8 setup
Take A Seat
Take a Seat was a 5 day shoot taking place across a couple of locations in Sydney. I can’t share much yet as its still in creation. It shared a lot of the same crew as Look At Me, and I couldn’t thank the studio enough for getting me back onboard
It featured multiple lavs, booms, spot mics, and F8s
Take a Seat is set to release at the end of this year
On-set Recording